Sor Juana Loa’s “Divine Narcissus” demonstrates opposition to Spanish tyranny. Juana Loa, 1998 depicts Spanish resistance by rejecting religion. Spain represented the Catholic Church in a deep way and wished to pass this knowledge on to its people. They rejected the Spanish lifestyle and rebelled against certain new life styles imposed by the invaders. In the drama, religion is a key figure. It convinces America and Occidental to abandon their traditional worship practices and embrace religion (the practice). Zeal the Spanish military captain, for his assistance in overcoming the resistance of the American and Occidental forces to religion. This is the idea that the command will be obeyed by the soldiers. They will not abandon their religion. It is an act of determined resistance where the locals place their lives ahead of following orders from the army.
A detailed description is given to the Indians in the story. Loa points out that the Spanish tried to describe the locals in terms of people who lived in primitive ways, but the cleverness of the Natives in resisting Religion shows their intelligence. The talk reveals that locals are self-aware. They respond to being asked to abandon their faith by saying that God is one. This is one of the ways one can defend themselves using Spanish. If God is real, like the Catholics believe, indigenous people should be allowed worship Him in the way that natives do.
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